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Podcast

Have You Tried These 6 Audio Imagination Tricks? – Episode 104

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Have You Tried These 6 Audio Imagination Tricks? – Episode 104

Imagination

Imagination. It is the wonderful result of recorded audio. When you listen to the radio, podcasts, audiobooks or other recorded audio, the imagination is in full motion. Your imagination belongs to you and you alone. You have full control. Your imagination is unlike any other.

Your imagination is used for your sole benefit. The characters and scenes created in your “Theater of the Mind” are exactly how you want them to look. The images are created in your mind in a way that gives you the greatest pleasure. It is all to benefit you.

The wonderful details in a story can stir the imagination in magical ways.

Last week, we talked about the element of surprise and delight within your podcast. Pieces of audio can add a wonderful element of surprise.

Video typically doesn’t stimulate the imagination the way audio does. When you see a car in a video, you know exactly what it looks like. If you and I both see a car in a video, we would both describe it in very similar ways. There is not much left to interpretation.

If I describe a cherry red 1968 Ford Mustang to you, I couldn’t possibly describe every detail. What does the interior look like? Where is it parked … or was it moving? Is there anybody in it? What kind of tires are on it? Hard top or convertible? There are many details to the story left to your interpretation.

Your imagination creates the car in a way that adds the most to your story and vision. That is the magic of recorded audio. Vivid details take your stories to another level of engagement that video cannot.

WAR OF THE WORLDS

You and I often discuss the incorporation of stories within your podcast. Stories reveal a lot about you as a storyteller. Stories also bring your content to life in the “Theater of the Mind”. Audio simply makes those mental images even stronger.

“War of the Worlds” was an incredible radio broadcast in the 1930s that brought mental imagery to life a little too well.

The episode by the great Orson Welles changed the way broadcasters approached their on-air responsibilities to the public for years to come. The show became famous for allegedly causing mass panic, although the reality of this mass panic was disputed.

Regardless, broadcasters changed the way they presented information on the air in order to keep the government off their backs. The audio was that powerful.

“War of the Worlds” was an episode of an American radio drama called “The Mercury Theatre on the Air”. This particular episode aired as a Halloween episode on October 30, 1938 when shows of this nature were performed live.

The story is an adaptation of the H. G. Wells novel “The War of the Worlds”. The story was shortened to fit a one-hour performance. It was presented as a series of fake news bulletins reporting an actual alien invasion.

The audio and effects added to the realism and the ensuing panic.

Later that evening, a few hours after the show aired, Orson Welles was standing in Times Square in New York City. Staring up at the New York Times building, he read the news bulletin, “Orson Welles Causes Panic.”

The media and politicians were in outrage the next day. They called for regulation by the Federal Communications Commission that would limit material allowed to be broadcast. They were upset that the broadcast was TOO REAL and therefore deceptive to the public.

The production was TOO GOOD. How crazy is that?

Over the years, Welles rose to fame as a producer and actor. This particular episode added to his meteoric rise.

Audio has that power to supercharge the imagination.

How are you using audio in your podcast to spark the imagination?

There are different ways to include recorded production elements within your show that will enhance your listener’s imagination and experience. When you add recorded elements, the imagination of your listener will be further stimulated. You will help create elements within your listener’s “Theater of the Mind”.

Here are a few recorded elements you could easily add to your podcast to spice up the listening experience.

1. INTRO/OUTRO

This is showbiz. Your podcast is created to entertain just as much as inform. It is just as much “show” as it is “business”. Add some sizzle to your show.

A produced “intro” and “outro” for your podcast is easy first step. The “intro” opens the show, as in “introduction”. The “outro” closes the show, similar to a conclusion.

At a minimum, find a great piece of music that will open and close your show. You can find many sites on the internet that sell music clips for just a few dollars.

Check out THIS SITE for an example.

2. INTERVIEWS

Guest interviews are a great way to add depth to your audio. A second voice on the show will stir the imagination. Listeners will wonder what your guest looks like. The stories told during the interview will create visions in the mind of your listener.

Listeners enjoy eavesdropping on other conversations more than listening to a lecture. By adding interviews to your show, you allow your listener this pleasure. Sure, you could provide the information yourself rather than going through all the work to secure, arrange and conduct the interview. If you are hoping to develop a relationship with your listener using content that will be engaging, go the extra step by including interviews within your podcast.

3. LISTENERS

Adding listener audio to your show will add additional depth to your podcast. When you simply read a listener e-mail, the question typically lacks the passion that would come from the listener. The inflection is a little different than the caller would use. The question is also asked in the same cadence, style and voice that you ask every other question.

When you add listener audio, a second dimension is added to the show. Though the caller isn’t actually there, the second voice almost creates a conversation. Your audience is now listening to a conversation rather than a monologue. The question will also be asked in a way unique to the caller.

Similar to the way interviews stimulate the listener’s imagination, callers can add to the “Theater of the Mind”.

You don’t need to include the entire phone call. It is show biz. Use the part of the call that will most add to your show. If the call includes a bunch of details not relevant to the question or the show, feel free to edit those parts out of the call. As long as you are not changing the intention of the caller, or making it sound like they are saying something they didn’t say, editing the call is perfectly acceptable.

4. AUDIO EXAMPLES

When you make reference to a piece of audio, play a sample. If you are talking about an interview that Jimmie Johnson gave after a race, play a clip of that interview. Your listeners will be further engaged by the additional voice. Audio examples are just another way to add that additional level of production to your show.

Additional audio will take your listener to another place. An interview clip will transport your listener to the interview location. An old television clip with create memories of seeing the show. A sample of a classic speech may elicit visions of the orator. Use audio to enhance the listening experience.

5. CELEBRITY ENDORSEMENTS

People like to have their decisions validated. That is why many companies hire celebrities to endorse their products. If Michael Jordan wears Hanes, it should be alright for me to wear Hanes as well. I don’t feel like I’m the only one doing it when I see Michael Jordan doing it.

You can use this concept to benefit your podcast. If you can get a well-known name in your area of expertise to record a quick endorsement for your show, that piece of audio will add an element of credibility to your podcast. Your listeners will feel like they are not alone in liking your show. They will be validated.

6. SOUND EFFECTS

Sound effects can easily enhance the imagination. You need to be careful that you don’t overuse sound effects. Too many effects can make your show sound amateur. However, a well-placed effect here and there can add to the delight of listening.

Adam Carolla has a producer who is responsible for adding sound effects to the show. If you haven’t spent time with Adam’s podcast, listen to one episode simply for the production elements. His content may not be your cup of tea. However, the production of the show must be admired.

The magic of recorded audio comes from the imagination. When you stir wonderful visions in the “Theater of the Mind” of your listener, you will truly begin to engage your audience. You can then begin to build meaningful relationships with your listeners and keep them coming back again and again. Use these ideas to add a little “show biz” to your podcast today.
If you have never subscribed to the Podcast Talent Coach podcast, please spend two minutes to do so. I would truly appreciate your generosity. Click the LINK and then the subscribe button in iTunes.

Do you need help with your podcast? E-mail me any time at Coach@PodcastTalentCoach.com. Let’s see what we can do.

You can find my podcast and other tools to help you create great content at www.PodcastTalentCoach.com.

Let’s turn your information into engaging entertainment.

Podcast

Who Else Wants A Unique Brand? – Episode 076

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Who Else Wants A Unique Brand? – PTC Episode 076

My daughter took a group of us to the Katy Perry show. Now that's a unique brand.
My daughter took a group of us to the Katy Perry show. Now that’s a unique brand.

A memorable brand that becomes a household name. It is like the Holy Grail. So many companies strive for it, but so few achieve it. Why is that?

A brand is a type of product manufactured by a particular company under a particular name, a brand name, a particular identity or image regarded as an asset, or a particular type or kind of something.

But, when we think of a brand, we think of so much more. There is so much more emotion in a powerful brand.

Under those definitions, Honda is a brand. However, it is a much different brand than Harley Davidson. Star Trek is a brand, although a much different brand than Battlestar Galactica. Oprah is a brand. I don’t think anyone would equal Oprah’s brand to that of Sally Jessy Raphael.

Each of those iconic brands were available at the same time their counterpart was making a name for themselves. Yet, the iconic brands became huge, powerful, valuable names. That’s not to say the other brands were not familiar or valuable. Those competitor brands simply did not become the astronomical brands of the segment leaders.

Why is that? What can you learn from these iconic brands that can help your podcast become a name, identity or image, but a name that evokes powerful emotion from your listener. How can you create fans instead of a casual audience?

Here are six steps you can put into use this week to begin to develop your unique brand.

 

Develop Your Style

Create everything you do in your own style. Powerful brands have a style all their own.

Your style is your way of doing something. Are you friendly? How about challenging or argumemtative? Maybe you are the Everyman. Is your podcast a narrative or instructional? Are you explosive, soothing or euphoric? Do I hear sarcasm in your show? Are you a friend to everybody or the guy they love to hate? Do you take risks or play it close to the vest?

Each piece plays into your style.

You can only stand out among all other shows when you create your own unique style. You must then make sure everything you do is consistent with that style.

Many new broadcasters try to emulate the style of their hero or mentor. They attempt to imitate the styles they hear from other broadcasters. Unfortunately, copying doesn’t create a unique style. Copying typically creates a watered-down version of some other style. When creating your content, be yourself and find your own style.

Some of the greatest broadcasters didn’t start the ascension to the top until they abandoned the attempts to broadcast in the style they thought others desired and began being true to themselves.

Oprah Winfrey quit trying to be a traditional news anchor. She also quit doing the typical tabloid, daytime talk show like Sally Jessy Raphael was doing at the time. When she began to create the show she always desired, she went to the top of the game.

Howard Stern began as a radio DJ sounding like every other radio DJ. He was playing the records and spouting the lines written by management while going nowhere. If you watch “Private Parts”, Stern’s autobiographical movie, one of the classic scenes is Howard trying to recite “W-N-B-C” just like his boss wants everyone to do it.

When Stern decided he was going to do radio his way, he began to make a name for himself. He also went to the top.

Rush Limbaugh followed a very similar path. His bland radio name was Jeff Christie. He followed the format designed by somebody else. Limbaugh made every attempt to fulfill the typical radio DJ stereotype.

He also got fired again and again. When he decided to broadcast in his style and true to his beliefs, he began his rise to the top.

Adam Corolla made his climb when he took full control over his style and show. He was climbing the DJ ladder in Los Angeles. Corolla had some decent television work. He then decided to create his own show in his own style via podcast. That began his rise as one of the biggest podcasters in the world.

All of these broadcasters made the decision to stop copying others. They all created shows that were true to their style.

They each also stay true to their style in everything they do. You will never hear Rush sound like Howard. You’ll never mistake something Oprah says as something Adam might say. Being true to their style isn’t something that takes conscious effort. It comes easy to each of them, because it is true to who they are as people.

Be true to yourself. It will make it easy to create everything you do in your style.

Define Your Character With Stories

I’m not simply talking about your integrity. By character, I mean all of the attributes that create you, as in character in a play.

The purpose of your show is to attract an audience. Whether you want to monetize that relationship, encourage a call-to-action, or simply create an audience for your ideas, creating the audience is where you begin.

The stories you choose to tell reveal how open you are to others. Your openness is a sign of trust. Trust is a big piece of a relationship. Reveal things about yourself through your stories and you’ll begin to build trust with your listener.

The details you include tell your listener what you value. If the listener feels you value things they too value, you solidify the relationship. People like to hang out with similar people. If your values are opposite of your listener, you may also attract them. It is like a love/hate relationship. They may dislike it, but they continue to listen. This often happens when talking politics.

What you find entertaining will be evident by the stories you tell. Since people like other people who have similar tastes, revealing those things you find entertaining will also build the relationship.

Stories also have the power to demonstrate your vulnerability. Stories can show that you are a real person. Your listener will see you as approachable. They also may begin to see you as a friend. That is when true relationships begin to form.

Iconic brands use their story.

Oprah uses her story of her upbringing and career building by breaking down barriers. Her weight loss. Her struggles to cut a new path in daytime talk.

Howard’s story of defying “The Man” and doing it his way inspires others. Rush was told he would never make it on the air and should consider radio sales.

Harley Davidson was a joke in the motorcycle industry. Harley owners had two bikes … one to ride and one for parts. Harley now stands for independence and “take no flack” attitude.

Foster a relationship with your listener by revealing things about yourself through stories. Stories will define your character.

Don’t Just Fill Time

You never catch Oprah just going through the motions. She would never have typical guests on her show. When others were interviewing the co-star of some moving, Oprah would interview the President of the United States. Oprah has Tom Cruise jumping on her couch. You never knew what was going to happen on Oprah’s show.

When you fill time, you waste time. Your listeners have come to your podcast, because you have made them a promise with your brand. They believe they will receive some sort of information and entertainment from your show. Your listener will only give you a few minutes to begin delivering, or they will be headed to the next podcast.

Consistently add value for your listener at every opportunity. Either make the show shorter, or prepare better. It is usually a solid rule of thumb to prepare more content than you will need. This will allow you to always deliver valuable information.

Seth Godin does a fantastic job delivering brief bits of valuable information with his blog. He even carries this through to the manifestos published by his Domino Project. Seth wastes very little time. Once he has made his point, he wraps it up.

Your listener is expecting something from your podcast. Deliver continuously on the promise of your brand. Don’t just fill time.

Be Memorable

When other shows would give away a television, Oprah would give a television to everyone in the audience. Now, everyone does it.

If you want to keep your listener coming back show after show, you need to make them remember to come back. You need to remain top-of-mind for your listener. That is the purpose of audience engagement. Make your listener remember you for something specific about your show.

As you build your show, make it about one thing. Find one particular thing that will be remembered. If you try to be all things to all people, you will water down the show. Everything will be nice. However, isn’t usually truly memorable. You will get lost in the millions of messages your listener receives on a daily basis.

Find the magic. Your listener should remember one thing about your show this week. What will that be?

Stir emotion. Make it amazing. Bring your listener back. Be memorable.

Move Beyond Information

Make your show emotional. That deep connection creates relationships.

The goal of our podcasts is to create strong relationships with our audiences. We can take those relationships and move our listeners with a call to action. To achieve that strong relationship, we need to move beyond information to engaging entertainment.

Dan Miller, author of “48 Days To The Work You Love” could simply explain how you might find a new job. Instead, Dan instills the belief in his listeners that there is more to work than a paycheck. He stirs emotion describing how you can turn your passion into your career. Dan uses that emotion to turn his job finding information into engaging entertainment.

Financial information is turned into entertainment on “The Dave Ramsey Show” when Dave turns debt into the enemy. He doesn’t simply walk you through the steps to become debt free. Dave helps you find that burning desire to escape the shackles of debt. He makes you envision the possibility of “living like no one else”. His help becomes engaging entertainment. That is the reason his show is extremely popular and he is very wealthy.

Our shows can be powerful when we build relationships and move our listeners with a call to action. Those relationships happen when we move beyond information to engaging entertainment.

Risky Stands Out

It was a risk for Rush Limbaugh to step out and be incredibly opinionated regarding politics. Now, there are hundreds of shows that do the same thing.

It was a risk for Harley Davidson to embrace the bad ass lifestyle. Today you can see middle aged guys riding their bike to the office.

It was a risk for Oprah to walk away from the standard daytime tabloid drama that made her successful. You cannot flip through the stations today without finding a dozen copycats of Oprah’s style. However, none of them achieved the success of Oprah.

As we develop meaningful relationships with your podcast, we in turn build credibility that will support our call-to-action within your show. To develop strong relationships, you need to create engaging entertainment that will get you remembered by your listener. To be remembered, you must stand out.

You stand out when you are loved. You are remembered when you are hated. You fade into the background when you are plain, vanilla and trying to not upset anyone. If you don’t stir strong emotions, you are easily forgotten.

When we create, we expose our perspective. We open ourselves to criticism. It is natural to want your thoughts, views, art and creation to be accepted by everyone. To avoid being disappointed, we often play it safe.

Those fantastic, memorable personalities are usually both loved and hated. Rush Limbaugh is loved by the conservatives and hated by the liberals. Dave Ramsey is loved by the conservative investor and hated by credit card companies and whole life insurance salespeople. Dr. Laura would consistently be critical of her callers. Yet she would receive more callers than she could handle on any given show.

Safety lacks creativity. It is risky to be truly creative. However, that is really the only way to get noticed. Safe blends in. Risky stands out.
I’d love to help you with your podcast. Post any questions or comments you might have, or e-mail me at Coach@PodcastTalentCoach.com.

You can find my podcast and other tools to help you create great content at www.PodcastTalentCoach.com. Let’s turn your information into engaging entertainment.

Let’s turn your information into engaging entertainment.

Podcast

When Did Marketing Become Taboo? – Episode 063

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When Did Marketing Become Taboo?

When Did Marketing Become Taboo

I was listening to Daniel J. Lewis on “The Audacity To Podcast” Sept. 15th episode “How To Deal With Negative Feedback Toward You”. When did commercials become bad?

Here is the comment/quote:

“I feel like I just listened to an hour long infomercial. Daniel, I recognize your need to cross-promote and I realize that your income comes from podcasting. I feel overloaded with commercial information and have quite a difficult time separating out the real content from the commercial content. It’s just too much. Sorting out the things I would consider using from the things I have tried in the past but didn’t work from the commercials just wasn’t worth the hour I wasted this afternoon listening to your podcast today.”

Daniel goes to great lengths to avoid being self-promotional. He mentions his products at the end or when it is contextually relevant. Hence the “I have a tough time separating out the real content from the commercial content”. If one blends into the other, it fits with the content. Daniel hardly creates his podcast to be one big commercial.

On the other hand, why are the product mentions so bad? How do you find out about great products? How did you find out about the last great movie you saw? How did you discover the last great book you read? Didn’t someone tell you about it? Regardless if that person was a friend or part of a marketing message, that communication helped you discover new things. That is what marketing is all about.

Sure, not every marketing message is going to be tailored to your needs. There will be some that might miss the mark. It could be the mass mailing you received from the pizza joint down the street because you have a family of 4. It could be the political flyer you received because of your party affiliation.

Is it that difficult to ignore the irrelevant? Throw it out.

So, how do we make our marketing message relevant? How do we make the message valuable instead of an interruption?

Are You Shouting?

You can’t shout your way into a person’s trust circle. They only way to gain trust is to add value. Give them something they can use. Building trust is the foundation of revenue generation for your podcast.

As you build trusting relationships with your podcast, continue to ask yourself, “How am I helping my listener?” Continue to give, and the trust will develop over time.

When you begin every discussion with your product, needs or wants, people will tune you out. You will begin to sound (and be treated) like advertisements for used cars. Shouting doesn’t work. Your listener won’t care and will rarely return.

Daniel does the opposite in “The Audacity To Podcast”. He usually starts by helping his listener. Then, if it fits, he will recommend a product or service to his audience.

Serve first, many times over. Then and only then can you effectively sell.

Shows like the “Dave Ramsey Show”, “48 Days To The Work You Love” and “The Audacity To Podcast” are all designed to help their listeners first. Sure, they all have products to sell as the end result. However, they never begin with their product. The discussions on these shows always begin with the listener’s needs in mind first.

Why is it bad to sell? Why must podcasting be only altruistic? If I have something that might help you solve your problems, why would it be wrong to recommend it to you while making a few dollars at the same time?

If you loved mowing grass, would it be right to expect you to mow my grass for free? You love to do it. Why should I pay you? If it is acceptable to charge you for mowing your yard, why isn’t acceptable to earn some money for helping you with your business?

As you prepare for your show, find great ways to help. Your help may come in the form of entertainment. You may serve as companionship for your podcast listener. Help them find other forms of companionship as well. If your podcast is only one hour per week, there are 167 more hours in the week that aren’t occupied by your show. Your listeners will surely need more companionship to fill a few of those hours. Help your audience fill those hours, too.

Are you building trust, or are you shouting? Develop the friendship by delivering companionship.

Are You Delivering What They Seek?

People listen to podcasts, the radio and other audio for companionship. They don’t want to drive alone. People have an inner desire to be around other people. Companionship is the reason people listen to your podcast, even if you are selling something. Your listener will always ask, “What’s in it for me?”

Make your listener feel comfortable, as if they are spending time with a friend. When people listen to guys like Adam Carolla, they feel like they know him. Women feel like they could actually hang out with Ellen DeGeneres when they watch her show. Leo Laporte comes across as your friend when you listen to his tech podcast. Each of these shows are about that comfortable connection.

When you make your listener feel comfortable, they will come back time and again. You are their companionship. Are you delivering what they seek?

This week, start with your listener in mind. Ask yourself, “What is in it for them?” I want you to feel confident about your content. You will not please everyone. Focus on your one target listener you have defined using the Target Listener Worksheet at www.PodcastTalentCoach.com.

If you upset a few people, they either get over it or they would never be your customer in the first place. At least you are doing something to make them care.

Let me know how I can help you with your podcast. E-mail your questions to Coach@PodcastTalentCoach.com.

You can also find other tools including worksheets, a workbook and videos to help you create great content at www.PodcastTalentCoach.com.

Let me teach you how to turn your information into engaging entertainment.

Podcast

More Podcast Confidence – PTC Episode 033

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How To Develop More Podcast Confidence

Self-confidence is a battle we all face. Do you feel like you don’t belong amongst the best in your niche?  Do you sometimes wish there was somebody that would give you that little boost of validation?  Most recently, I received nearly the same question. How do I become comfortable as a speaker?

We have discussed this topic in the past on the Podcast Talent Coach podcast. In episode 012, I offered tips to become more comfortable with the timber and sound of your voice. This week, I would like to give you a few ideas to use to develop more confidence in your content.

I had a coaching call and received an e-mail in the past couple weeks that included this topic. Both podcasters were unsure of their speaking ability. They felt they may lack authority on their topic.

I had a coaching call with a gentleman who had recently launched a new podcast. His career to this point had involved public speaking and presenting. He was self-conscious of how he sounded on his podcast. He asked if he should get a voice coach.

The second question came in an e-mail.

“So far I have interviewed and recorded 3 people and when editing I’m realizing how much I hate my voice and because of that I feel unsure about putting anything out. Though the desire to podcast and be a liable presence is there is it possible to have a nervous sounding voice and still taken seriously? I don’t know why I sound so timid and unsure because these people I’m interviewing are so far of people I know but as soon as I press that record button my presence seems to change. Do you have any tips? I hope there is still a chance for me. I hope this is just a newbie problem and something that I can eventually overcome.”

We all face the inner critic. We are unsure how we can sound like an authority in our niche. What can we do to develop more confidence in ourselves as we create our content each and every week?

This week, we discuss four steps to become more comfortable & confident with your content.

 

BE YOURSELF

A great podcast is a great relationship. It is just like creating a great brand. In order to develop that solid relationship, you must be yourself. You can’t fake it.

When you try to be someone or something you are not, you will not sound authentic. Eventually, the truth will come out.

Have you ever met someone you had admired from afar, only to have them do something that didn’t fit with your image of them? Maybe it was a baseball player, or a movie star, or a politician or a musician. You met them with great expectations of an encounter with your hero only to find out they were rude and average. It turned out they were only being who they thought they should be for the public when really they were someone completely different in real life.

Everyone has their flaws. That is what makes them human. Howard Stern has flaws. He makes his flaws part of his show. Domino’s Pizza admitted the errors of their ways with their cheap, low quality pizza. They laid it out for the world to see in their marketing. Your listener will accept your flaws. They will feel like you are “one of them” when you admit your flaws upfront. Don’t be afraid to expose yourself.

When your listener discovers you are something other than the character you portray, the bond of trust will be demolished. Your relationship will be forever damaged.

Build a solid brand. Be yourself.

 

YOUR STYLE

Create everything you do in your own style. You can only stand out among all other shows when you create your own unique style. You must then make sure everything you do is consistent with that style.

Many new broadcasters try to emulate the style of their hero or mentor. They attempt to imitate the styles they hear from other broadcasters. Unfortunately, copying doesn’t create a unique style. Copying typically creates a watered-down version of some other style. When creating your content, be yourself and find your own style.

Some of the greatest broadcasters didn’t start the ascension to the top until they abandoned the attempts to broadcast in the style they thought others desired and began being true to themselves.

Oprah Winfrey quit trying to be a traditional news anchor. She also quit doing the typical tabloid, daytime talk show. When she began to create the show she always desired, she went to the top of the game.

Howard Stern began as a radio DJ sounding like every other radio DJ. He was playing the records and spouting the lines written by management while going nowhere. When Stern decided he was going to do radio his way, he began to make a name for himself. He also went to the top.

Rush Limbaugh followed a very similar path. He had a cheesy radio name. He followed the format designed by somebody else. Limbaugh made every attempt to fulfill the typical radio DJ stereotype. He also got fired again and again. When he decided to broadcast in his style and true to his beliefs, he began his rise to the top.

Adam Corolla made his climb when he took full control over his style and show. He was climbing the DJ ladder in Los Angeles. Corolla had some decent television work. He then decided to create his own show in his own style via podcast. That began his rise as one of the biggest podcasters in the world.

All of these broadcasters made the decision to stop copying others. They all created shows that were true to their style.

They each also stay true to their style in everything they do. You will never hear Rush sound like Howard. You’ll never mistake something Oprah says as something Adam might say. Being true to their style isn’t something that takes conscious effort. It comes easy to each of them, because it is true to who they are as people.

Be true to yourself. It will make it easy to create everything you do in your style.

 

MOVE BEYOND INFORMATION

The goal of our podcasts is to create strong relationships with our audiences. We can take those relationships and move our listeners with a call to action. To achieve that strong relationship, we need to move beyond information to engaging entertainment.

Dan Miller, author of “48 Days To The Work You Love” could simply explain how you might find a new job. Instead, Dan instills the belief in his listeners that there is more to work than a paycheck. He stirs emotion describing how you can turn your passion into your career. Dan uses that emotion to turn his job finding information into engaging entertainment.

Financial information is turned into entertainment on “The Dave Ramsey Show” when Dave turns debt into the enemy. He doesn’t simply walk you through the steps to become debt free. Dave helps you find that burning desire to escape the shackles of debt. He makes you envision the possibility of “living like no one else”. His help becomes engaging entertainment. That is the reason his show is extremely popular and he is very wealthy.

Our shows can be powerful when we build relationships and move our listeners with a call to action. Those relationships happen when we move beyond information to engaging entertainment.

 

REVIEW YOUR SHOW

Review your show on a regular basis. Actually listen like a listener. That is the only way to improve.

Many hosts finish recording a show and think, “That was pretty good. What’s next?” They might recreate parts of the show in their head to determine what might make the show better next time. Usually, there isn’t much time spent actually reviewing a show. There are so many other duties to handle. It’s on to the next thing, which is probably editing, posting, and promoting the show.

In order to make your podcast better, you need to spend quality time listening to the show. Play it back. Grab a pad of paper and write down the parts that jump out at you. Jot down the “oh wow” moments. Take note of the sections that didn’t work exactly as you planned.

You will only find these moments when you listen like a listener. The show will sound much different to you when you listen back than it did as you were recording it. You will hear things you didn’t notice as you were focused on creating the content. Words that you overuse will suddenly become noticeable to you.

Once you have created the lists of good and not-so-good, create two more lists. First, determine how can you create more of the “oh wow” moments on the show. How might you incorporate into the show more of the great content that worked? Second, make a list of ways you can eliminate the parts that weren’t polished enough.

Get on the road to show improvement. Review your show on a regular basis.

 

To Do This Week

1. Be yourself. Tell a story on your podcast this week that will reveal something about you.

2. Do everything in your own style. Start by defining that style.

3. Move beyond information by defining what is in it for your listener. Stir emotion.

4. Review a past episode while actually listening like a listener.

 

I’d love to help you with your podcast. E-mail any questions or comments you might have to Coach@PodcastTalentCoach.com.

You can also find tools to help you create great content at www.PodcastTalentCoach.com.

Let’s turn your information into engaging entertainment.

Podcast

Turn Your Podcast Into A Conversation – PTC Episode 030

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TURN YOUR PODCAST INTO A CONVERSATION

PTC EPISODE 030

Let’s have a conversation. People want to feel part of the discussion and not like they are sitting in a lecture. How do you create that atmosphere on your podcast?

1. Talk to me, not at me

2. Treat your audience as an audience of one

3. Let your listener live vicariously through you

4. Use your regular voice

5. Do everything in your own style

 

Talk To Me, Not At Me

When you are podcasting, talk “to” your listener.  Don’t talk “at” her.  You are not announcing.  You are having a personal conversation and building a relationship.

Podcasting is an intimate conversation with one person.  The conversation is typically one person speaking into a microphone addressing another single individual.  There may sometimes be hundreds of thousands of people listening.  However, they are all listening by themselves.  Even in an automobile with others listening via communal speakers, the members of the audience are listening by themselves in their own head.  Each listener is developing their own unique, mental images.

Have a conversation directly with that individual.  Put your listener in the moment.  Avoid addressing the group.  Instead of using “hello everyone”, use “hi, how are you?”  Make her feel like you are talking directly to her.  It will make your podcast relationship much stronger.

 

Audience Of One

As you are creating your podcast, treat your audience like you are talking to each person individually.  This is critical when creating a trusting relationship with your audience.

I hear many shows address their audience as a group with comments like “hello everyone” or “hey guys”.  Each person in your audience is listening to you as an individual.  Audio is a very personal medium.  Many times, they are listening with headphones.  It is just you and her.  Talk to her just like that.

Addressing a crowd on the radio began when radio began.  As radio was just being created, station owners needed content to broadcast.  Radio programming began with rebroadcasting live, theater events.  The person on the stage would address the crowd as “ladies and gentleman”.

As radio progressed, live audiences were eliminated.  However, people on the radio continued to address the audience as a group.  It was fitting.  The family still gathered around the radio before television was introduced to the family room.  An on-air personality could address the audience as a group and be justified in doing so.

Radio then became a personal medium.  The television replaced the radio as family entertainment.  In-car and headphones became the preferred method of radio listening.  Each listener was now creating images and visions in his or her own head that were unique to their imagination.  Their thoughts were different from those of any other listener.  The conversation was now between the person on the air and the individual listening.

Unfortunately, radio personalities continued to address the listener as a group.  ”It has always been done this way.”  The disconnect began.

Podcasts are even more individualistic than radio.  Most people select a podcast because of their own tastes.  Groupthink does not play a factor as it would to select a movie or television show for the family.  It is one person listening on their own to a show that interests them.

If you are talking to your listener as if they are in a group, using plural terms like everyone and you guys and you all, your listener will wonder who you are addressing.  They will think, “You guys?  I’m listening by myself.  Who are you talking to?”  In the end, they will not follow your call-to-action, because they will think someone else in your “group” will handle it.  Talk to an audience of one and build that relationship with each listener individually.

Nobody like to be lectured to. Data and facts get dull & boring. Engage by being conversational. Tell stories. This is a converstaion, not a lecture

 

Vicarious

Can I Be You?

Vicarious. Voyerism. Eavesdropping.

Those are three main reasons people listen to your podcast. Tell stories to help fulfill those desires.

People dream about having a different (and usually better) life. They want to experience those things others are experiencing. The grass always seems greener on the other side of the fence. People crave living the lives of others.

Your listeners want to live vicariously through you. They want to experience your success. They wish they had the courage to do the things you have done. Your fans want to be you in some way or another.

Voyerism is a reason many people watch the shows they watch, listen to the stories they hear, or read the books they read. They want to experience the lives of others.

People eavesdrop on the conversations of others for the very same reasons. They can experience the life of others without the risk of faliure. Eavesdropping doesn’t take the courage that it takes to actually live the life.

By telling great stories about your experiences, you help your audience fulfill the desire to live vicariously through you. If your show contains audio of your feats and experiences, you allow your audience to become the voyers they desire. When you interview people on your show, you allow your listener to eavesdrop on your conversation.

When you simply lecture as the content of your show, you fail to help your listener experience any of those three desires. Find new ways to deliver your material to your audience. You will make those important connections that turn into friendships. Those relationships will foster loyalty to your show. Your tribe will follow you wherever you go. That’s a powerful thing.

Tell stories of self-revelation. See where it takes you. You’ll be surprised how many people wish they could be you.

 

Use Your Regular Voice

The scoop is that fake announcer voice that you hear quite often. It’s like a slow start with a gradual build.

“Wwwwweeeelllllcome to the big show.”

It sounds like your voice is going up and down as if it is on a yo-yo.

Real people don’t talk like that. You are trying to build trusting relationships with your audience. You want to sound real and authentic.

When you sound like a supermarket announcer, you sound fake. Your listeners will find it hard to trust you, because they know that isn’t really you. The audio they are hearing sounds like a character you are portraying.

Don’t let your voice bounce like a ball. You can be excited and enthusiastic. You can also be real and natural at the same time. Just be yourself.

When the inflection of your voice bounces up and down, you will find it difficult to truly engage your listener. Be real. Avoid the scoop.

 

Create Everything In Your Style

Create everything you do in your own style. You can only stand out among all other shows when you create your own unique style. You must then make sure everything you do is consistent with that style.

Many new broadcasters try to emulate the style of their hero or mentor. They attempt to imitate the styles they hear from other broadcasters. Unfortunately, copying doesn’t create a unique style. Copying typically creates a watered-down version of some other style. When creating your content, be yourself and find your own style.

Some of the greatest broadcasters didn’t start the ascension to the top until they abandoned the attempts to broadcast in the style they thought others desired and began being true to themselves.

Oprah Winfrey quit trying to be a traditional news anchor. She also quit doing the typical tabloid, daytime talk show. When she began to create the show she always desired, she went to the top of the game.

Howard Stern began as a radio DJ sounding like every other radio DJ. He was playing the records and spouting the lines written by management while going nowhere. When Stern decided he was going to do radio his way, he began to make a name for himself. He also went to the top.

Rush Limbaugh followed a very similar path. He had a cheesy radio name. He followed the format designed by somebody else. Limbaugh made every attempt to fulfill the typical radio DJ stereotype. He also got fired again and again. When he decided to broadcast in his style and true to his beliefs, he began his rise to the top.

Adam Corolla made his climb when he took full control over his style and show. He was climbing the DJ ladder in Los Angeles. Corolla had some decent television work. He then decided to create his own show in his own style via podcast. That began his rise as one of the biggest podcasters in the world.

All of these broadcasters made the decision to stop copying others. They all created shows that were true to their style.

They each also stay true to their style in everything they do. You will never hear Rush sound like Howard. You’ll never mistake something Oprah says as something Adam might say. Being true to their style isn’t something that takes conscious effort. It comes easy to each of them, because it is true to who they are as people.

Be true to yourself. It will make it easy to create everything you do in your style.

 

I’d love to help you with your podcast. E-mail any questions or comments you might have to Coach@PodcastTalentCoach.com.

You can also find tools to help you create great content at www.PodcastTalentCoach.com.

Let’s turn your information into engaging entertainment.

Podcast

Beyond Defining Your Listener – PTC013

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Beyond Defining Your Listener

You’ve heard many times that you need to define your target listener.  What do they look like?  Who is your avatar?  Who is your ideal customer?

When most people define their target listener, they list age and gender.  If you stop their, you haven’t truly defined your listener.  Age and gender alone are pretty generic.

Defining your listener means moving beyond age and gender.  Discover what they need.  What are the hopes, dreams and fears of your target listener?  Where do they live?  What do they drive?  What is their family makeup?

In the episode this week, we discuss the many facets that make up listener definition.

Age & Gender

We begin with age and gender.  Though it is generic, we need to start with the basics.  You can find a 30-minute, deep-dive video on the differences between marketing to men and women here at PodcastTalentCoach.com.

Men and women are different.  I speak in generalities and stereotypes.  I realize these statements will not hold true in every case.  However, they are most common.

Why They Listen

Next, determine what you listener seeks.  Why do they listen to your show.  I’ll give you the first reason.  Companionship.  People do not want to be alone.  You are their friend and companion.  People have an inner need to be around other people.  You fill that role. (read more)

Make your listener feel comfortable, as if she is spending time with a friend.  When people listen to Adam Carolla, they feel like they know him.  He reveals so much about himself, you feel like you could have a beer and a conversation with him.  He fills that role.

Determine the other factors that bring your listener to your show.

Be Like You

Voyeurism is another reason people listen to the spoken word.  They want to live vicariously through the stories of others with the risk.  By telling stories, you allow your listener to experience the great things you’ve seen in life.  Your listener doesn’t need to put in the time, effort or work to get where you are in life.  They can live through your stories.

Here is a link to the worksheets that will help you go beyond age and gender when defining your target listener.

I’d love to help you with your podcast. E-mail any questions or comments you might have to Coach@PodcastTalentCoach.com.

You can also find tools to help you create great content at www.PodcastTalentCoach.com.

Let’s turn your information into engaging entertainment.

Podcast

7 Things That Drive Your Listeners Away – PTC Episode 008

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The Top 7 Things That Drive Your Listeners Away

You work so hard to attract listeners to your podcast. Growing the audience is a constant challenge for most podcasters. You do all you can to bring more people to the party.

There are other things you may be doing to reverse all of your work and drive listeners away. If you are not aware of these pitfalls, they could undermine your marketing efforts. Your audience could be shrinking in spite of your hard work recruiting listeners.

There is good news. Once you learn to recognize these repellants, you can begin to eliminate them from your show. You can make adjustments when you know where to look.

There are seven common mistakes podcasters make that drive listeners away. Here is a description of each stumbling block. See if you recognize these within your show. Suggested remedies are provides as well.

1. The podcaster who talks at you (read the blog post)

2. The podcaster that wastes your time (read the blog post)

3. The podcaster that does not make you care (read the blog post)

4. The podcaster that does not get you involved (read the blog post)

5. The podcaster that doesn’t help others (read the blog post)

Zig Ziglar

6. The podcaster that tries too hard to be funny (read the blog post)

Adam Carolla

7. The podcaster who assumes listeners have heard the show before (read the blog post)

David Letterman

Audience Engagement, Audience Relationship, Blog, Podcast content, Podcast improvement

Can You Hear The Smile? …

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Can you hear the smile?

(photo by eyedear)

It may sound strange. It may sound hard to believe. But, it is true. Your audience can hear it when you smile.

If you want your listener to have fun and enjoy your podcast, you need to smile as you deliver your lines. The smile will come through in your voice.

Just like you can hear when someone has fear in their voice, you can hear joy in a voice.

When Adam Carolla is having fun with a guest on his podcast, you can hear it in his voice. When he is getting angry at the dues he pays the Screen Actors Guild, you can hear the frustration in his voice. When Adam is getting excited about his next opportunity to drive really fast, it is clear in his voice.

The voice is a very special communication tool. The nuances in your speech tell so much about the information being delivered. Your inflection is a critical part of your communication.

If you hope to get your listener excited about your content, you need to first be excited yourself. If you want to turn your information into entertainment, you need to sound like your content is entertaining you. A smile goes a long way.

When you don’t smile, you sound bored. Your content sounds boring. Your information will never become entertainment if you sound like you are simply going through the motions.

Remind yourself.  Smile. Your listener will hear it.

— I’d love to help you with your podcast. Post any questions or comments you might have, or e-mail me at Erik@PodcastTalentCoach.com. Let’s turn your information into engaging entertainment.

Your emotion will come through the speakers. When you sound excited about your content, your listeners will feel excited about it. That’s when you begin to develop influence.  Next time you are recording your show, ask, “Can you hear the smile?”

Blog, Podcast content, Podcast improvement

Funny Follows Fun …

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Funny follows fun.

(photo by Pescarus)

Many podcasters painstakingly try to be funny. Stop trying so hard. The funny will come. You are simply focused on the wrong thing.

Spend time trying to have fun on your podcast. If you are having fun, your audience is having fun. Your listeners will be able to hear the fun in your voice. Funny isn’t always necessary for entertainment. Having fun is usually entertainment enough.

Have fun and the funny will follow. It will be natural. If you force trying to be funny, you will rarely be funny.

Adam Carolla is always having fun on his podcast. “The Adam Carolla Show” is sometimes funny. However, it is always entertaining. He doesn’t force the entertainment. He simply does what he enjoys. Adam’s fun is contagious, because he is natural. The funny follows.  Follow his lead.

— I’d love to help you with your podcast. Post any questions or comments you might have, or e-mail me at Erik@PodcastTalentCoach.com. Let’s turn your information into engaging entertainment.

Funny will usually come along because you are trying to have fun and not because you are trying to be funny. Funny follows fun.

Audience Engagement, Audience Relationship, Blog, Make Money, Podcast content, Podcast improvement

Is It An Ad For Everything Else? …

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Is it an ad for everything else?

(photo by crystalvenus)

Media consultant Mark Ramsey had a fantastic blog post this week regarding the monetization of podcasts.

Mark says:

“In the world of these upstarts (the world we all now reside in), anyone can create media and the goal isn’t necessarily for the media to be monetizable but for the media to enable the monetization of other things.”

As long as podcasters see their show as entertainment first and advertising second, a podcast can go a long way to building a brand.  Adam Carolla does an amazing job at this.  He is very entertaining and uses his podcast to promote all of his other ventures.

Entertainment could mean companionship, advice or any other form.  If podcasters make the mistake many advertisers make by beginning with the product features rather than product benefits for the listener, their podcast will be no more effective than their advertising.

A great podcast can help build a great brand if the intent of the podcast is to help the listener in some way.

Read Mark Ramsey’s great blog here:  www.MarkRamseyMedia.com.

I’d love to help you with your podcast. Post any questions or comments you might have, or e-mail me at Erik@PodcastTalentCoach.com. Let’s turn your information into engaging entertainment.

Is it an ad for everything else?